BLOOD WEDDING by Federico García Lorca.
Director: Kevin Hourigan • Translator: Nahuel Telleria
Scenery: Choul Lee • Costumes: Cole McCarty • Lighting: Erin Earle Fleming.
Photo by T. Charles Erickson, 2016.
MACBETH by William Shakespeare
Director: Jesse Rasumussen
Scenic: Christopher Thompson • Costume: Sydney Gallas • Lighting: Erin Earle Fleming
Photo by Christopher Thompson, 2017.
IF PRETTY HURTS UGLY MUST BE A MUHFUCKA by Tori Sampson. Direction: Elizabeth Dinkova
Scenery: Choul Lee • Costumes: Cole McCarty • Lighting: Erin Earle Fleming • Projections: Wladimiro A. Woyno R.
Photo by T. Charles Erickson, 2017.
SWEAT by Lynn Nottage.
Director: Joan MacIntosh
Scenery: Jessie Chen • Costumes: Beatrice Vena • Lighting: Erin Earle Fleming.
Photo by Courtney Jamison, 2017.
'TIS PITY SHE'S A WHORE by John Ford.
Director: Jesse Rasmussen
Scenery: Ao Li • Costumes: Sarah Woodham • Lighting: Erin Earle Fleming • Projections: Johnny Moreno
Photo by T. Charles Erickson, 2017.

Erin Earle Fleming

Originally from Houston, ERIN EARLE FLEMING is a New York based visual artist whose lighting supports the human experience through inclusive storytelling. Her recent work includes Kiss (Yale Repertory Theatre); Xander Xyst, Dragon:1 (ArsNova ANT Fest); Sweat, If Pretty Hurts Ugly Must Be a Muhfucka: An understanding of a West African Folktale, ’Tis Pity She’s a Whore, Blood Wedding, and Macbeth (Yale School of Drama). Other credits include The Feels…(KMS), Re:Union, MoonSong, Current Location, Kaspar (Yale Cabaret). Erin also worked as the assistant production manger of Ballet Austin. Other Texas credits include: Les Enfants Terribles (Butler Opera Center); Bus Stop, Love and Information (Mary Moody Northern Theatre); Pinocchio, ScienceTricks (ZACH Theatre); Bloody Bloody Andrew Jackson (Doctuh Mistuh Production); and The Attic Space (Palindrome Theatre). She holds a BA from St. Edward’s University and an MFA from Yale School of Drama.

Affiliation: Yale
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